欢乐好声音

Golden Slumbers
Written by John Lennon and Paul McCartney
Performed by Jennifer Hudson
Jennifer Hudson appears courtesy of Epic Records

The Way I Feel Inside
Written by Rod Argent

I Don't Wanna
Written by Garth Jennings and David Bassett
Produced by David Bassett



Baker Street
Written by Gerry Rafferty (as Gerald Rafferty)

Crazy in Love
Written by Eugene Record, Jay Z (as Shawn Carter), Beyoncé Knowles and Richard Christopher Harrison (as Rich Harrison)

Jump
Written by Alex Van Halen, Edward Van Halen (as Eddie Van Halen) and David Lee Roth

Kira Kira Killer
Written by Yasutaka Nakata

Butterfly
Written by Seth Binzer, Bret Mazur, Anthony Kiedis Flea, (as Michael Balzary) John Frusciante and Chad Smith

Anaconda
Written by Sir Mix A Lot, (as Anthony Ray) Nicki Minaj, (as Onika Maraj) Polow Da Don, (as Jamal Jones) Jonathan Solone-Myvett (as Jonathan Myvett), Marcos Palacios and Ernie Clark

Humpty Dance
Written by Bootsy Collins, (as William "Bootsy" Collins) Shock-G (as Gregory Jacobs), George Clinton and Walter Morrison

The Safety Dance
Written by Ivan Doroschuk

Ride Like the Wind
Written by Christopher Cross

Stay with Me
Written by Sam Smith, James Napier, Tourist (as William Phillips), Tom Petty and Jeff Lynne

Pennies from Heaven
Written by Johnny Burke and Arthur Johnston

Strange Loop
Written and Performed by Garth Jennings

The Sound of Violence
Written by Stephen Edwards, Boombass (sa Hubert Blanc-Francard) and Philippe Zdar (as Philippe Cerboneschi)
Performed by Dennis de Laat
Courtesy of Spinnin' Records

Star Crawl
Written by Bradley Hargett, JB Townsend, Jean-Baptiste Gueracague, Andrew Adler, Keegan Cooke and Kyle Forester
Performed by Crystal Stilts
Courtesy of Sacred Bones Records

Go! Team Go!
Traditional

Childhood Memories
from Once Upon a Time in America
Written and Performed by Ennio Morricone
Courtesy of New Regency Entertainment, Inc.

Sucker Punch
Written by Ali Dee (as Ali Theodore) and Zach Danziger
Performed by Boomish
Courtesy of Deetown Entertainment

Let's Face the Music and Dance
Written by Irving Berlin

Venus
Written by Robbie van Leeuwen (as Robert van Leeuwen)

Call Me Maybe
Written by Carly Rae Jepsen, Tavish Crowe and Josh Ramsay
Performed by Carly Rae Jepsen
Courtesy of School Boy/Interscope Records and 604 Records
Under license from Universal Music Enterprises

Pon de Floor
Written by Afrojack, (as Nick van de Wall) Diplo (as Thomas Pentz), Switch (as Dave Taylor) and Vybz Kartel (as Adidja Palmer)
Performed by Major Lazer feat. Vybz Kartel
Courtesy of Mad Decent
By arrangement with Downtown Records, LLC

Set It All Free
Written by Dave Bassett

True Colors
Written by Billy Steinberg and Tom Kelly
Performed by Cyndi Lauper
Courtesy of Epic Records
By arrangement with Sony Music Licensing

Around the World (Rumba)
Written by Thomas Bangalter and Guy-Manuel De Homem-Christo
Performed by Uwe Schmidt (as Señor Coconut) and His Orchestra
Courtesy of Essay Recordings

Flashing Lights
Written by Eric Hudson and Kanye West
Performed by Kanye West
Courtesy of Def Jam Recordings
Under license from Universal Music Enterprises

Nessun dorma! (Turandot, Act 3)
Written by Giacomo Puccini, Giuseppe Adami and Renato Simoni
Performed by Luciano Pavarotti, Orchestra del Teatro dell'opera di Roma and Orchestra del Maggio Musicale Fiorentino
Conducted by Zubin Mehta
Courtesy of Decca Music Group Limited
Under license from Universal Music Enterprises

Under Pressure
Written by Brian May, David Bowie, Freddie Mercury, John Deacon and Roger Taylor
Performed by Queen and David Bowie
Queen courtesy of Hollywood Records, Inc. for USA and Canada
Courtesy of Island Records Limited
Under license from Universal Music Enterprises
David Bowie courtesy of RZO Music

Gimme Some Lovin'
Written by Muff Winwood, Spencer Davis and Steve Winwood
Performed by the Spencer Davis
Courtesy of Capitol Records and Island Records Limited
Under license from Universal Music Enterprises

Firework
Written by Katy Perry, Sandy Vee (as Sandy Julien Wilhelm), Ester Dean (as Esther Dean), Mikkel Storleer Eriksen (as Mikkel Eriksen) and Tor Erik Hermansen (as Tor Hermansen)
Performed by Katy Perry
Courtesy of Capitol Records
Under license from Universal Music Enterprises
 
Take Five
Written by Paul Desmond

The Four Seasons (Spring) - Allegro
Written by Antonio Vivaldi

Bad Romance
Written by RedOne (as Nadir Khayat) and Lady Gaga (as Stefani Germanotta)
 
Kiss from a Rose
Written by Seal (as Henry Samuel)

I Love My Shirt
Written by Donovan (as Donovan Leitch)

Stout-Hearted Men
Written by Oscar Hammerstein II and Sigmund Romberg
Performed by Shooby Taylor, "The Human Horn"
Courtesy of William Taylor, Jr.
By arrangement with Irwin Chusid
 
Lollipop
Written by Julius Dixon and Beverly Ross

9 to 5
Written by Dolly Parton

The Ketchup Song (Aserejé)
Written by Queco (as Francisco Manuel Ruiz Gomez)

Ben
Written by Don Black and Walter Scharf

Chandelier
Written by Jesse Shatkin and Sia (as Sia Furler)

Garota de Ipanema
Written by Antonio Carlos Jobim and Vinicius de Moraes

Ninja Re Bang Bang
Written by Yasutaka Nakata

Canon in D
Written by Johann Pachelbel
 
Million Bucks
(feat. Swizz Beatz)
Written by Swizz Beatz (as Kasseem Dean), Jermaine 'Maino' Coleman (as Jermaine Coleman) and Avery Chambliss
Performed by Maino
Courtesy of Atlantic Recording Corporation
By arrangement with Warner Music Group Film and TV Licensing

Hold On, We're Going Home
Written by Noah Shebib, Jordan Ullman, Majid Al Maskati, Drake (as Aubrey Graham) and Paul Jeffries
Performed by Drake feat. Majid Jordan
Courtesy of Cash Money Records
Under License from Universal Music Enterprises

The Wind
Written by Cat Stevens (as Yusuf/Cat Stevens)
Performed by Cat Stevens
Courtesy of Island Records Limited
Under license from Universal Music Enterprises

Con amor muore...tu, tu? Piccolo iddio
Written by Giacomo Puccini
Performed by Renata Tebaldi, Carlo Bergonzi and Orchestra dell'Accademia Nazionale di Santa Cecilia
Conducted by Tullio Serafin
Courtesy of Decca Music Group Limited
Under license from Universal Music Enterprises

Koi Koi Koi
Written by Yasutaka Nakata

Love Interruption
Written by Jack White

Gianni schicchi o mio babbino caro
Written By Giacomo Puccini

Shake It Off
Written by Taylor Swift, Shellback (as Johan Schuster) and Max Martin

All of Me
Written by Toby Gad and John Legend (as John Stephens)

I'm Still Standing
Written by Elton John and Bernie Taupin (as Bernard Taupin)

Bamboleo
Written by Simon Diaz, Tonino Baliardo, Jahloul Bouchikhi (as Jalhoul Bouchikhi) and Nicolas

 Reyes
Performed by Gipsy Kings
Courtesy of Offstage Productions, Inc.
Under exclusive license to Sony Music Entertainment U.K., Ltd.
Courtesy of Nonesuch Records
By arrangement with Warner Music Group Film and TV Licensing

Carry That Weight
Written by John Lennon and Paul McCartney
Performed by Jennifer Hudson

Wake Me Up Before You Go-Go
Written by George Michael
Performed by Wham!
Courtesy of Sony Music Entertainment U.K., Ltd. and Columbia Records
By arrangement with Sony Music Licensing

Hallelujah
Written by Leonard Cohen

My Way
Written by Paul Anka, Jacques Revaux, Gilles Thibault and Claude François

Don't You Worry 'Bout a Thing
Written by Stevie Wonder

Faith
Written by Ryan Tedder, Stevie Wonder and Francis Farewell Starlite (as Francis Farewell Starlight)
Produced by Ryan Tedder and Benny Blanco
Performed by Stevie Wonder (feat. Ariana Grande)
Stevie Wonder appears courtesy of Wonder Power Music, Distributed by RLG, a division of UMG Recordings, Inc.
Ariana Grande appears courtesy of Republic Records, a division of UMG Recordings, Inc.

我得先承认，看这部动画电影的体验是非常愉悦的，剧情够紧张，音乐够煽情，小动物们的表演够精彩。但看完整部电影，总感觉它还差那么一点儿。

到底差的是什么呢？


《欢乐好声音》有存在感弱到消失一天而丈夫孩子浑然不知的猪妈妈；有一上台就紧张到发不出声的象妹妹；有经营着不景气剧院只请得起独眼老太太打杂的考拉经理；有不想混黑帮只想玩音乐的“坑爹”猩猩小子；有为钱而唱却自命不凡的卖艺老鼠；有一直被男友打压，分手后绽放音乐天份的摇滚豪猪小妹。这些角色的设定都很好，他们看起来如此熟悉，就像生活在我们身边的人。

此外这部电影也有非常出彩的点睛之笔：当考拉经理因剧院倒塌不得不重操洗车旧业，与自己的好基友肉身擦车时，我一边笑得不能自已，一边眼泪滚滚而下。

————————————————没找到洗车剧照差评——————————————————

然而，它还是差了一点什么，差的那点东西使它更接近于给小朋友看的童话，而无法成为一个像《疯狂动物城》这样的成人故事。

差的地方就在于——所有曾经很难翻越的障碍，TM就突然消失了。

拘谨得跳个舞要提前画好舞步的猪妈妈突然就变成热力四射“猫女”；一对着他人就无法出声的象妹妹突然可能对着一屋子观众放声高歌；象妹妹的一首歌就拯救了落到谷底的考拉经理；而前脚还很讨厌儿子玩音乐甩下一句“我没有你那么怂的儿子”的猩猩老爸，突然就宁愿越狱也要来演唱会现场，并变成了“我为你感到骄傲。”。

这种设定也许是为了呼应电影“人生跌到谷底就开始反弹”的主旨，也许是电影时长限制无法展现更多的内容。然而障碍消失得太快太容易的结果，也让片子流于轻飘，流于鸡汤。

与它相比，《疯狂动物城》是怎样的呢？兔子朱迪克服了社会给兔子贴的标签，克服了自己的身体弱点并成为警校的优等生，但她仍然要面对到警局后被忽视的命运；她也要面对自己内心中还未完全解决的，对于狐狸的恐惧；她也曾消沉，但让她再次振作的理由却很充分。这让它成为一个完整的、丰满的成人故事，跳出了完美却不真实的童话界。


观影归来后，我仍然给这部片子打了四星。虽然没有达到《疯狂动物城》般的预期让我有点失望，但它仍不失为一部好看的、值回票价的动画电影。如果你平日很喜欢看各种歌唱类选秀节目，那么建议你抱着去看一次动物版的《The X Factor》的预期，就不用像我一样失望地回来吐槽了。

By the way，我最喜欢的角色是题图这只肥肉乱颤却舞步销魂的死胖子，那种从内到外的蜜汁自信，简直让人很难不去爱它。

《欢乐好声音》对我的吸引其实来自于在爱奇艺看视频之前那短短45秒的广告，因为那恰恰是它的预告片。我承认我完全是被强尼那句短短4秒钟，却柔肠百转的“stay with me”给迷住了。于是《欢乐好声音》在学校讲堂上线的时候，我就迫不及待地去买票了。
很遗憾的是，电影中并没有完整的演唱那首歌，只是在海选的场景中唱了那么一两句。神奇的是，在我从没有听过这首歌曲，电影里也没有什么煽情的场景的情况下，我居然产生了生理反应，流下眼泪，浑身鸡皮疙瘩。这也是从没有过的事情。
不过我最想说的也不是这些。
刚刚看完的那天晚上，我还在嫌弃自己，也是不小的人了，怎么还会这么容易地被一个动画片灌的鸡汤给灌哭了呢？
第二天，我总觉得应该为自己流的眼泪写一点什么，想了半天，觉得如果我还是写理想和现实，生活与梦想，那我也就只能写一篇小学生作文了。
其实，电影里有一个设计让我回去想了很久。那就是露西塔为了去参加排练，而又没有雇到保姆的时候，她发动自己的聪明才智，做了一套的机械，来代替她完成叫孩子起床、做早餐、洗涮餐具、告诉丈夫车钥匙的位置、给孩子拿好书包去上学、晚上给孩子讲睡前故事这一系列的工作。我记得当时，整个电影院的人都在笑，尤其是小孩子，当然也包括我。然而，电影后来的情节，却让我笑不出来了:直到那一套机械出了问题，如同编写好的程序一般井然有序又千篇一律的生活突然陷入了混乱，露西塔的丈夫诺曼才发现，孩子的妈妈不见了。
绝妙的讽刺，悲哀的隐喻，揭示的是人的物化。
诺曼需要的其实不是一个对音乐充满激情对生活充满热爱的妻子，他需要的是一个能够把25个孩子照顾得好好的，顺便在早晨告诉他车钥匙在哪里，当他晚上回来的时候可以给他递上一块蛋糕的，不给他添任何麻烦的一个机器。连他给她的吻都是敷衍的。
然而这也不能够完全怪他，诺曼之所以这样，因为他也不过是他的工作岗位上的一个被物化的零件，过着同样毫无生气、毫无改变的生活。
那天晚上他在半睡半醒之间说：“都一样，每天都一样，真不知道这样的日子你是怎么熬过来的。”
也许人在困倦和喝醉的时候才会说真话吧。
更悲哀的是，在电影里被物化的人，不只露西塔夫妇二人。
还有强尼，他对于他父亲来说，就是那个对讲机，必须随叫随到，必须和他时刻在一起铤而走险不管他愿不愿意。一旦他不能够做到这些，他的父亲想到的就是放弃这个孩子。
我从小到大最怕的事情就是让我在意的人失望。
所以当强尼的父亲在监狱里摔下电话离开的时候，我真的很能懂得强尼的心情：他一生最热爱的音乐，却得不到自己的父亲的认可。但是，虽然他的父亲物化了他，他却没有视他的父亲为物品。尽管他的父亲是个罪大恶极的黑帮老大，尽管他的父亲从未给过他真正的尊重和理解，父亲依然是父亲，血浓于水的亲情是什么也割不断的。所以他才会一时起意去偷盗号称“十万”的奖金，但是他又在看到自己的报名表上的“十分出色”的时候悬崖勒马，放下屠刀，弹起钢琴。那个时候的他真的是一个有灵魂的歌手。
还有艾希，她的男朋友需要的也不是一个有独立自我、有才华的女朋友，而是一个只为了衬托他而存在，只会赞美他的音乐的物品。一旦艾希做不到这些，他想到的也是放弃这个女朋友，去寻找另一个，可以是贝琪，艾米，露丝等等。
甚至还有月伯乐，只不过他不是被人物化，他是自己把自己物化了。他把自己等同于了那个大剧场，所以当那座曾经辉煌一时的剧场在他身后轰然倒塌的时候，他觉得自己的人生完了。他以为自己对剧场的看重是因为那是父亲用了所有的积蓄为他买的一个梦想，然而他把父亲希望他追求心中所爱的期望变成了自己的枷锁，这让他从热爱剧场的一切，变成了热爱那栋建筑。
米娜，可以说是一个没有被物化的人，因此我也觉得她是最幸运的那个人。她有着一群爱她的家人，而且她们不是因为她有多么出色，多么优秀而爱她，只是无条件的爱。
所以，我想，打动我的是电影里的人物摆脱这种悲哀的挣扎和努力，以及摆脱之后的自在和唏嘘吧。
当露西塔脱下主妇装，换上性感的黑色舞裙时，舞台上的露西塔就像一个妖冶美艳的王后，勾得万人倾倒，点燃全场激情。以至于诺曼不敢相信那是在自己身边生活了多年的平凡无奇的妻子，他冲上台去后给的那一个深吻，不再是敷衍。
当强尼的父亲像金刚一样越狱，在高楼林立、灯火辉煌的城市中不顾一切地疯狂逃窜时，我真的哭得很惨。强尼的父亲的确是一个不折不扣的亡命之徒，但是以前的他，亡命是为了钱，这一次，是为了他的儿子。他和强尼在所有人视线之外的那个会面，真是格外令人动容。父亲知道自己的身份，他死死挡住身后的腥风血雨和危险而来，却只想给儿子一个平静的祝福，不在别人的世界里给儿子添一抹不堪。
艾希终于不再是以男朋友的伴唱的身份出现。舞台只属于她一个人，她可以一个人来玩自己的音乐，她可以一个人把场子掀翻，让电视前的贝琪嫉妒，让电视前的前任痴迷颠倒。从此，再也没人可以试图遮住她的光芒。
月伯乐消极地捡起了洗车的旧业，用一身皮毛擦车，但是因为根本没有想要去做，所以不可能做好。当他的好朋友埃迪拉开拉链，露出一身柔软洁白的羊毛的时候，我真的也很感动，原来，埃迪不是一个没心没肺的富二代。朋友的不离不弃，米娜的一首心曲，让月伯乐在废墟上站了起来，没有建筑又怎样，我在意的不是这些。
我们其实也都在被自己或他人物化着，只是电影里这种转变可以很理念化，但是生活中却不会。
这也许才更让我难受。